They all appear in the film and give differing accounts of their experiences. Some, like Jill Jones, describe his cruelty and diminishment of them; others, like Electra and Fantastic, are still spellbound by their time with him and speak of how he buttressed their sense of self.
The women emerge as variously funny, appealing, appalled, victimized, knowing. We’re asked to sit with Prince’s multiplying paradoxes for many hours, allowing them to unsettle one another.
One of the most disturbing parts of the film depicts Prince’s relationship with Mayte Garcia, who became his wife. Now a striking, doe-eyed 50-year-old woman in a flowing silk shirt, she describes how she met Prince when she was 16 and he was 35, after he saw tapes of her belly dancing.
Source link
